Category Archives: Discussion or Talking

Julie Poitras Santos, flight Paths (2018)

four people walking down a street on a hill

“In Flight Paths participants were invited to walk together, considering significant moments of departure. Whether actual or metaphorical, departure – with its twin, arrival – asks us to give up something in order to find the new, but we aren’t always ready to go. Beginning our walk at the Kulturcentrum in Ronneby, we walked through the narrow streets of the oldest part of the city, making our way to the town square. In the square participants traded stories about departure and leaving.

(photo: Simone Aersoe) Created for the Kulturcentrum, Ronneby, Sweden in partnership with the AIR Blekinge.”

Credit: “Flight Paths.” Juliepoitrassantos.com, juliepoitrassantos.com/section/519153-flight%20paths.html. Accessed 1 Oct. 2023.

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Walking Meetings

From MindTools:

“A walking meeting is exactly what it sounds like: a meeting that takes place while its participants are walking around.

It could involve just a few minutes’ “walk and talk” with a colleague en route to another part of the building. Or, it could be a more organized 20-minute stride around the park while you and two or three colleagues brainstorm ideas or thrash out a problem. … To stay healthy, the U.S. Office of Disease Prevention, via its Health Promotion Physical Activity Guidelines for Americans, recommends at least 150 minutes of moderate intense activity (such as brisk walking or playing doubles tennis) each week. [3] So, by holding a 30-minute walking meeting every day, you would be helping your people to achieve this, giving them long-term health benefits.

Mental health and wellbeing can be improved too, with studies showing that regular exercise can help to reduce anxiety and build up your tolerance for stress. [4] The combination of fresh air, daylight and walking is a great stress reliever, and exposure to daylight helps your body to produce beneficial chemicals, such as serotonin and vitamin D. People with Seasonal Affective Disorder (SAD) will also thank you for the opportunity to get some natural light.

Furthermore, research by the American Psychological Association shows that walking enhances people’s creativity and productivity. According to neuroscientists, walking increases blood flow to the brain, which helps people to express ideas more fluently.

Formalities tend to be dropped when you take people out of the office. This allows them to think more freely and to develop stronger relationships with one another, and with you. And, by taking yourself away from the hustle and bustle of the workplace, your meeting has less chance of being disturbed.

Things to Consider When Arranging a Walking Meeting

To hold a walking meeting, you won’t need any special equipment beyond a decent pair of shoes and clothing suitable for the weather. But you will need a safe space and participants who are able and willing to cover the distance.

You’ll also need to consider the resources that you’ll require, such as refreshments, pens and paper, and how confidential the meeting will be – who needs to be there, who might be in the vicinity of your walk, and who might overhear what you’re saying.

Other considerations include noise that might make it harder for attendees to communicate (chatter in a busy corridor, for example) and how you will chair the meeting effectively outside the more formal setting of a meeting room.

It is, therefore, crucial that you think about the purpose of your meeting carefully before adopting this approach. For example, could a quick standing meeting be carried out in a more formal setting, with a small agenda and ideas submitted via email beforehand?

Walking meetings are best for exploring possible solutions to a problem, brainstorming or conferring on decisions. If you know that you’re going to need a whiteboard or other equipment, it might be better to “walk and talk” to promote discussion and then return to the boardroom to draw everything up together.

A word of warning at this point: please remember that, if you can’t include remote workers, you’ll not only be missing out on their contribution, but they may also feel excluded from the decision making process. They will likely need to be consulted before any final decisions are made to ensure that they can participate in the process.”

Credit: “MindTools | Home.” Www.mindtools.com, www.mindtools.com/af5nfqq/walking-meetings

‌Tips from Harvard Business Review:

“Consider including an “extracurricular” destination on your route. Dr. Eytan, whose office is located in Washington, D.C., often mentions the nearby Washington Coliseum as a place to stroll by, and notes it is where the Beatles played their first U.S. concert. Naming a point of interest, he says, provides more rationale and incentive for others to go for a walk.

Avoid making the destination a source of unneeded calories. One of the arguments in favor of walking meetings is the health benefit. However, this is easily negated if the walking meeting leads to a 425-calorie white-chocolate mocha that wouldn’t otherwise be consumed.

Do not surprise colleagues or clients with walking meetings. It’s fine to suggest a walk if it seems appropriate in the moment, as long as it’s clear that you’ll be fine with a “maybe next time.” But if you’re planning ahead to spend your time with someone in a walking meeting, have the courtesy to notify them in advance, too. This allows them to arrive dressed for comfort, perhaps having changed shoes. You might also keep water bottles on hand to offer on warm days.

Stick to small groups. Haimes recommends a maximum of three people for a walking meeting.

Have fun. Enjoy the experience of combining work with a bit of exercise and fresh air. Perhaps this is the one piece of advice that doesn’t need to be given. Our data show that those who participate in walking meetings are more satisfied at their jobs than their colleagues who don’t.

Based on our survey and the clear case to be made for walking in general as a key to good health, there would seem to be no good argument against making a habit of walking meetings — or at least giving it a try.”

Credit: “How to Do Walking Meetings Right.” Harvard Business Review, 5 Aug. 2015, hbr.org/2015/08/how-to-do-walking-meetings-right.

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Carol Maurer, Walking Forward, Looking Back (2018-19)

people on the floor in a gallery

Carol Maurer, Walking Forward, Looking Back (2018-19)

“Walking forward, looking back is a practice-based project utilizing a journey through the landscape. Artist Carol Maurer walks from her ancestral home on the Eastern Shore of Maryland through Delaware to Chester County PA, collecting stories, photos, memories and objects along the route. Rediscovering histories – both true and false. ​The journey began as a way to experientially confront her responsibility as a descendant of enslavers and slowly weaves into a meditation on the time, tempos, conversations and understandings walking can make space for.” (credit)

Marie Christine Katz, Let’s Take a Walk (2009-)

“This project began in 2009 as a virtual Twitter guided walk. Participants from anywhere in the world join in via @mcayer. Over time it evolved into an on site performance as well.

So far there have been more than 55 walks; each is a shared moment—a step towards peace.

Walking together, though apart, we’ll journey along the same path. On site I’m assisted by a Town Crier, Tweet Master and Drummer. During the walk, I ask questions about specific topic(s). Prompting dialogue, inviting participants to sing a song, say something nice to someone, etc. In example LTAW #39 took place during The Climate Strike, LTAW #40 addressed social justice. Walk #41 and #42 took place during the shelter in place due the the Covid-19 pandemic.

The onsite performance involves a knitted overskirt I wear (created days prior each walks with passer by) as we walk, it unravels, leaving traces of our journey. Performance artifacts along with film and photographs of our journeys are compiled into an installation, showing the experience of our group walking in different places yet moving in sync. All are documented http://letstakeawalkmc.blogspot.com” (credit)

Molly Wagner, ‘Who was Wentworth?’ A walk from Katoomba to Woodford (2017)

‘Who was Wentworth?’ A walk from Katoomba to Woodford, (23 June 2017)

“I named this walk ‘Who was Wentworth?’ because of a conversation I had with my walking companion at the bust of William Charles Wentworth that highlighted the complexity of history, post-colonialism and how personal perspective effects our understanding of the past.” (credit)

Diane Borsato, The China Town Foray (2008-10)

“The China Town Foray, Intervention and photographs, 2008 – 2010

I invited the Mycological Association of Toronto (an amateur mushroom hunting club) to go on a mycological foray in “Chinatown” or, the Chinese supermarkets and medicinal shops in Markham, Toronto. With field guides and magnifying glasses, we debated Latin species names and toured the suburban marketplace in the same manner that we would research and identify Ontario fungi in the forest or field.

Special thanks for the work and expertise of Alan Gan, and the participating members of the Mycological Society of Toronto.

The event took place in various locations in Markham, Toronto, in the summer of 2008. In 2010, the urban forage was repeated in New York City, with the collaboration of the New York Mycological Society. Special thanks to guest mycologists Paul Sadowski and Gary Lincoff.

EXHIBITION HISTORY

AGYU, Terrestrial / Celestial and Walking Studio, curated by Emelie Chhangur , Spring 2012, Toronto

Articule Gallery, Terrestrial/Celestial, Presented as part of Mois de la Photo, curated by Anne-Marie Ninacs, Fall 2011, Montreal, Canada

Umami Festival Performance, The New York Foray, Urban foraging events with the New York Mycological Society. Curated by Yael Raviv, Spring 2010, New York City

Mercer Union, The Chinatown Foray, Solo exhibition, main space, Fall 2009, Toronto” (credit)

Diane Borsato, All the Names for Everything (2017)

“ALL THE NAMES FOR EVERYTHING, Walk/Performance,  2017

ALL THE NAMES FOR EVERYTHING was a walk on Mount Nemo with diverse outdoor education leaders bringing various scientific and cultural perspectives on naming flora and fauna along the Bruce Trail in Ontario, Canada.

The popular nature educator Richard Aaron spoke of scientific botanical and common English naming, while Melanie Gray of wolf clan from Tyendinaga Mohawk Territory discussed spiritual and medicinal connections to plants in addition to some of their names in Mohawk, and Jon Johnson, a community-based Indigenous scholar discussed place names and the history and ongoing presence of Indigenous peoples in the Toronto region.

Together we considered the origins and meanings of botanical names, numerous common names, and names in different languages of many of the places, plants and animals encountered along our walk.

I had been thinking about the colonial histories that are conspicuously silent (or worse, the violence and erasure still being perpetuated) whenever I study nature, take workshops, read field guides, or lead students and others in the woods. With this project – I hoped to expand the terms of nature-education, by bringing together a diverse crowd of knowledgeable community members interested in plants, ecological relationships, and land.

We discussed names that give evocative descriptions, that tell of our many relationships to plants and other creatures, to languages and names that were absent and lost to Indigenous peoples, and to racist names – that speak to our often difficult relationships with each other.

ALL THE NAMES FOR EVERYTHING is part of an ongoing commitment to developing relationships with Indigenous elders, artists, researchers, and educators – and including Indigenous perspectives in my own work and teaching.

The piece was part of a larger project by Elle Flanders and Tamira Sawatsky of Public Studio called New Field: Tracing Decolonisation.

Photos here by Emily Moriarty, Amish Morrell, Richard Aaron and Diane Borsato. ” (credit)

Maraa Collective, The Olfactory Chambers of Ward No. 88 (2014)

an agenda

Credit: Center for Sustainable Practice in the Arts

Maraa Collective (2008-)

This walk took place in Bangalore, India in October of 2014, and used the format of a tourism walk to critically examine the processing of waste and the caste system. The walking route followed the same route as the street sweepers and waste sorters. In India, the Dalits caste has been traditionally responsible for clearing excrement.

This work may remind some of Mierle Laderman Ukeles’ work in which she shook the hand of every sanitation worker in New York City, shining a light on their labor and demonstrating respect for their work.

CreditL

Aislinn Thomas, The Slow Walkers of Whycocomaugh (2012)

“Slow Walkers of Whycocomagh and Fast Walkers of Whycocomagh came about to address
what seems like an age-old problem: how to spend time walking with other people who
have an ideal pace different from your own. Negotiating precisely what “slow” and “fast”
looked like on any given day was an interesting part of the experience, as was noticing the different relationships to each other and the landscape facilitated by the different speeds. This piece was originally part of a larger project, the Whycocomagh Skillshare, which was conceived of in response to living in a rural context, in an intentional community that centres people labelled with intellectual disabilities. The skillshare took form as an ongoing series of free workshops, presentations and activities and was an attempt to actively seek out connection, engagement and exchange while challenging normative ideas of expertise and value. Since then, the slow walking groups have taken place in a mall in Mississauga, along rivers and downtown streets in Cambridge and on a mountain trail in Banff.”

Credit: Outdoor School: Contemporary Environmental Art edited by Amish Morrell and Diane Borsato. Page 120.

Public Studio, The New Field (2017)

“August 1-September 27, 2017: The Walk

In the New Field, Public Studio walked the entirety of the 900km Bruce Trail while actively exploring the question: What does decolonization look like?

Along the trail, Public Studio invited by artists, activists, scientists, writers, curators, philosophers, and youth groups to join them and activate the footpath as a way of sharing knowledge across a diverse public. Indigenous writer and “geomythologist” Lenore Keeshig lead Public Studio across the unceded territory of the Chippewas of the Nawash; artist and theatre director Ange Loft lead a tour that included theatre warm-up exercises and a discussion of land acknowledgments; Geologist and director of the Bruce Trail Conservancy Beth Gilhespy chronicled land formations, activist and artist Syrus Marcus Ware led thirty five kids on a botanical drawing walk; multidisciplinary artist Diane Borsato brought art students, a western botanist and a traditional Indigenous medicine woman into dialogue; and writer and critic Amish Morell’s graduate students walked, read poetry and reimagined the land at a reconstructed Iroquoian village archaeological site.

September 28 -30, 2017
The Creative Time Summit: Of Homelands and Revolutions
Stage Design & Closing Ceremony

On September 30, 2017 a public choir demanded the end to extraction and colonial destruction, to war and displacement driven by economic greed. On this day we demanded the earth be re-centered together with people and that the Canadian government include the Rights of Nature into the Charter of Rights and Freedoms. Public Studio together with Hiba Abdallah created the set for Creative Time Summit and with collaborators Ange Loft and Terri-Lynne Williams-Davidson staged the performance of the Rights of Nature, a document based on Haida ideology demanding that nature be inscribed in Canada’s constitution.

Check out the Rights of Nature publication here.” (credit)

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“Public Studio is the collective art practice of filmmaker Elle Flanders and architect Tamira Sawatzky. Public Studio creates large-scale public art works, lens-based works, films, and immersive installations. Grounded in the personal, social, and political implications of landscape, Public Studio’s multidisciplinary practice engages themes of political dissent, war and militarization, and ecology and urbanization, through the activation of site. Public Studio often works in collaboration with other artists.” (credit)