Walking as Artistic Practice

Skip to content
  • Syllabus
    • 01. Course Description
    • 02. Attendance
    • 03. MCAD Student Handbook Info
    • 05. Textbook & Supplies
    • 06. Critique
    • 12. About Your Prof
  • Assignments
    • Readings
    • Exercises
      • A Walk I Will Not Make
      • Archive Walk
      • Equity, Inclusion, Accessibility
      • Fluxus
      • Ghost Walk
      • Lead a Walk
      • Lead/Follow Line
      • Mapping
      • Mark-Making
      • Observational / Sensory
      • Should Have
  • Resources
    • Ideation/ Brainstorming
    • Books/Readings
    • Links/ Sites/ Exhibitions/ More
    • Timeline
    • Topics
      • Archiving Walks
      • Body as a Drawing Instrument
      • Feminism
      • Leading Versus Following
      • Observational Walking
      • Tourism
      • Walking and Thinking
      • Who Gets to Walk and Where?
  • 2021 Schedule

Kurt Schwitters, Opened by Customs (1937-38)

collage

Schwitters collected garbage and found objects from the streets and used them to compose Dadaist collages.

This entry was posted in abstraction, collage, Solo Walk, souveniers, Urban on May 24, 2022 by admin.

Post navigation

← Jazoo Yang, Materials (2017) Elinor Whidden, Rearview Walking Stick (2007) →

This site has served as both a home-base for walking workshops, and a research organization tool while I have been writing a book:
Walking as Artistic Practice


30% discount code: XNIP424 valid through Sept 30, 2024

Creative Commons License
The work on this site (unless otherwise credited to another source) is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Categories

  • abstraction (31)
  • Activism or Protest (92)
  • animation (3)
  • Architecture (53)
  • Archiving (56)
  • Art History Focus (12)
  • Artist Books (9)
  • Attire (31)
  • Audio or Sound (37)
  • Body Image (13)
  • Book Arts (1)
  • Borders (25)
  • Chance (65)
  • choreography (35)
  • Citizenship and Legal Status (29)
  • Class (19)
  • collage (8)
  • Collectives (21)
  • Colonialism (34)
  • Commuting (22)
  • Crawling (8)
  • dada (1)
  • data visualization (50)
  • Dérive (9)
  • Disability (14)
  • Discussion or Talking (72)
  • Dog Walking (10)
  • Drawing (67)
  • Eating or Drinking (7)
  • Education or pedagogy (32)
  • Embodiment or Mind Body Connection (67)
  • Environmentalism (43)
  • Exercise (10)
  • Falling (11)
  • Flânerie (9)
  • Fluxus (15)
  • Foraging (2)
  • Futurism (2)
  • Gender (42)
  • GPS (15)
  • Graphic Design (8)
  • Group Walks (99)
  • Gutai (3)
  • History of Walking (31)
  • Humor (40)
  • Ideation and Thinking (23)
  • Immigration (18)
  • Indigenous or Aboriginal (23)
  • Indoor Walks (15)
  • Initiation (3)
  • installation (24)
  • interview (5)
  • Labyrinths and Mazes (20)
  • Land Art (32)
  • Landscape (48)
  • landscaping (10)
  • Leading and Following (43)
  • Leaving or Departure (1)
  • Lost (11)
  • Love (3)
  • Mapping (72)
  • Meditation (15)
  • Memory (31)
  • Minimalism (15)
  • Monuments and Memorials (12)
  • Networking (5)
  • Night (6)
  • Nomads (3)
  • Observational (42)
  • Online Presence (2)
  • Paintings (14)
  • Pair Walks (26)
  • Photography (93)
  • Pilgrimage (17)
  • Place (118)
  • Power Dynamics (110)
  • Printmaking (6)
  • Processions or Marches or Parades (44)
  • Psychogeography (5)
  • Public vs Private (38)
  • Publications (14)
  • Queerness (4)
  • Race (26)
  • Radio (3)
  • Reenactment or Reprise (26)
  • Religion (12)
  • Rituals (40)
  • Romantic (10)
  • Running (7)
  • Rural (74)
  • Scores (29)
  • Sculpture (41)
  • Sexuality (5)
  • Smell (6)
  • Solo Walk (109)
  • souveniers (10)
  • Spectacle (148)
  • surrealism (1)
  • surveillance (18)
  • The Everyday (110)
  • topography (28)
  • Touch or Haptic (10)
  • Tourism (31)
  • Traces (37)
  • Uncategorized (2)
  • Urban (171)
  • Utopia (4)
  • Video or Film (76)
  • Wandering (9)
  • Wearables and Tools (79)
  • Writing About Walking (19)
Proudly powered by WordPress