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“This is the first walk that really became a filmic soundtrack and it created a format or style that I have been experimenting with ever since. The narrative uses the device of a man offsite watching a surveillance video of a woman walking in the garden. This woman, my voice, communicates with him through the image he sees. She also refers to his postcards of the museum grounds that he sent her years before. They are trying to locate a moment in time when things went wrong between them.”

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“Her piece guided spectators through the nearby landscape, starting from an exit door near the far end of the museum and near the sea itself. The soundtrack mentioned specific views and objects, but it also included intimate histories and the impression of planes overhead or a jogger from behind. The fictional and the factual alternated for the visitor who was ‘choreographed’ through the headphones.” — Bruce Ferguson